Let’s be honest — when O’Romeo first hit theatres, not many expected it to cross the ₹50 crore mark. But here we are, two weeks in, and Shahid Kapoor’s comeback action drama has done exactly that. The question now is whether it has enough steam left to make the journey meaningful for everyone involved.
Directed by the acclaimed Vishal Bhardwaj and co-starring Triptii Dimri, O’Romeo closed its 14th day with a cumulative nett of ₹54 crore in India. Day 14 alone brought in just ₹90 lakh — a clear sign that the film has entered its final theatrical stretch.
O’Romeo Complete Box Office Collection — Week-by-Week
| Period | Collection (Nett) |
|---|---|
| Week 1 | ₹42.00 crore |
| 2nd Friday | ₹1.90 crore |
| 2nd Saturday | ₹2.90 crore |
| 2nd Sunday | ₹2.70 crore |
| 2nd Monday | ₹1.25 crore |
| 2nd Tuesday | ₹1.35 crore |
| 2nd Wednesday | ₹1.00 crore |
| 2nd Thursday | ₹0.90 crore (est.) |
| 2-Week Total | ₹54.00 crore (est.) |
The Real Story Behind the Numbers
Week 2 added around ₹12 crore — a steep 70% drop from the opening week. That kind of decline is difficult to recover from, and a third-weekend miracle looks unlikely given the competitive landscape.
It’s worth noting that BOGO (Buy One Get One) ticket offers helped inflate footfall numbers optically but don’t really boost revenue share for producers. Think of it as looking good on paper without truly moving the needle financially. It’s a perception game, not a profit one.

What did work in O’Romeo’s favour was the open run — no major competing release breathing down its neck. That headroom helped the film stay alive longer than it otherwise might have.
For a broader picture of how Bollywood films are stacking up at the box office this year, check out our 2026 Bollywood box office tracker on TechnoSports.
What Happens Next?
Based on current trends, O’Romeo is heading for a total theatrical finish around ₹60 crore nett. Given that the film had Shahid Kapoor — one of Bollywood’s most bankable stars — and a Vishal Bhardwaj directorial behind it, that’s a number that will leave most stakeholders with a lot to reflect on.
An OTT window should follow soon, where the film will likely find a more appreciative second life.





