Director Sachin Saraf is the filmmaker behind Pratap, an Amit Sadh-led film whose reported clash with Sunny Deol’s Soorya has drawn attention. In an exclusive interview with Bollywoodhungama, Saraf discussed the comparison with Deol and questions about the film’s subject. > “We cannot even imagine clashing with a legend like him.”

What did Sachin Saraf say about the Soorya clash?
That line strikes a respectful tone rather than casting the release overlap as a feud. The interview’s headline identifies Soorya as Sunny Deol’s film and describes the scheduling as a clash, but Saraf’s response focuses on the star’s stature.
His words suggest the team doesn’t see competing with Deol as a challenge to his legacy. That distinction matters when a film enters a crowded theatrical conversation. A perceived clash can quickly turn into a contest of star power, even before audiences see either film; Saraf’s comment instead highlights his respect for Deol, without addressing the films’ commercial prospects.
Why is Pratap being linked to Sachin Waze?
The Pratap trailer prompted comparisons with Ab Tak Chhappan, while the reported story of an encounter specialist who goes to jail led viewers to ask about jailed police officer Sachin Waze. Saraf resisted treating Waze as the only possible point of reference. He noted that other officers have also been jailed.
That answer limits what can responsibly be inferred about the film. The interview doesn’t establish that Pratap is a biographical account of Waze, and the supplied material names no other specific officer as its inspiration. Instead, Saraf challenges the idea that a story about a police officer and imprisonment must refer to one person. That distinction shapes how audiences approach the trailer. A familiar real-world comparison can help viewers place a subject, but it can also lead them to assume a direct portrayal before the full story is known; Saraf leaves room for a fictional narrative without confirming that the film is one.
What do the trailer and cast bring to the story?
The interview’s introduction names Amit Sadh, Esha Deol, Seema Biswas, Milind Gunaji and Tigmanshu Dhulia as members of the film’s ensemble. Saraf also discussed the trailer’s reception, saying it exceeded the team’s hopes and brought calls and messages after its release.
He said viewers seemed to understand the film’s mood, and he hoped they’d see it in theatres. That response signals early interest, not ticket sales or likely box office performance. The cast brings several recognisable performers alongside Sadh, while the subject offers a crime-and-policing hook. So the trailer has two jobs: establish the story’s tone and set the film apart from comparisons audiences have already made.
What happens next for Pratap and Soorya?
The immediate question is whether discussion will focus on the films themselves or on their reported scheduling overlap. Saraf’s comments don’t escalate the comparison with Deol, and his answer on Waze resists reducing Pratap to a single real-life parallel.
Neither remark tells us how audiences will respond when the film reaches theatres. For now, the interview gives the director’s perspective on the conversation, but no release-date specifics or box office forecasts. The cast, trailer “sachin saraf” topic: “EXCLUSIVE: Pratap director Sachin Saraf breaks silence on clash with Sunny Deol’s Soorya: “We cannot even imagine clashing with a legend like him”; reveals whether Amit Sadh-starrer is inspired by Sac”
What does Sachin Saraf say about the significance of the film’s trailer? Saraf said the trailer’s reception surpassed the team’s expectations, with many viewers seeming to understand the film’s mood. That positive response offers an early sign of interest, though it doesn’t directly indicate ticket sales or box office performance. ###
How does the cast add to the film’s appeal? The ensemble features recognisable performers, including Amit Sadh, Esha Deol, Seema Biswas, Milind Gunaji and Tigmanshu Dhulia. Together with the crime-and-policing theme, this cast helps establish the story’s tone and distinguish the film from other projects, particularly given the comparisons audiences have drawn.
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