Get A Complete list of Shaakuntalam Box Office Collection data
Samantha Ruth Prabhu has launched the most awaited epic drama film named Shaakuntalam. this is very disappointing that Samantha Ruth Prabhu is unable to draw a mark in its box office collection. We are now on day 5 of its release, and Shaakunralam faced a drop in its collections once again. the film somehow managed yo collect Rs. 50 lakhs on Tuesday.
The story of the film has been inspired by Kalidasa’s play Abhijnanashakuntalam. This is a mythological drama directed by Gunasekhar. This time things didn’t draw a huge crowd just on the first day and he has earned Rs 5 crore across all languages, as per industry tracker Sacnilk.
Shaakuntalam has got an overall occupancy of 32.60% in the Telugu states. In this mythological drama film we will see Samantha in the titular role of Shakuntala and actor Dev Mohan plays Dushyanta, the king of the Puru Dynasty.
Let’s have a look at the Shaakutalam box office collection:
Shaakuntalam Box Office Collection Day 1: Rs. 2.7 Crore
Shaakuntalam Box Office Collection Day 2: Rs. 1.55 Crore
Shaakuntalam Box Office Collection Day 3: Rs. 1.4 Crore
Shaakuntalam Box Office Collection Day 4: Rs. 0.60Crore
Shaakuntalam Box Office Collection Day 5: Rs. 0.50 Crore
Shaakuntalam Box Office Total Collection: Rs. 6.75 Crore
To maintain a steady run in the cinema halls in the coming week, Shaakuntalam should pick up the pace during the weekend. The previous release of Samantha’s Yashoda started off with approximately Rs 3 crore at the box office and ended its first weekend run with Rs 10 crore net at the box office. The film’s lifetime collection in India was around Rs 20 crore. When compared to that, Shaakunatalam’s future looks more promising.
The trailer belongs to the first book Shaakuntalam is seemingly made on an enormous budget. It also stars an ensemble cast including actors Mohan Babu, Allu Arha, Aditi Balan, Gautami, Sachin Khedekar, and Ananya Nagalla.
Raghu Bandi wrote in the review of the film, “Dil Raju and Gunasekhar must be appreciated for taking interest in bringing such ancient literature to the screen again. The only letdown is this particular subject is hardly the right material for the current generation. Perhaps the original Mahabharata version of an assertive woman was a better fit.”
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