Kareena Kapoor Khan has always marched to her own beat. She once said it best herself: “There is no heroine like me who has left more films than I have, and given them on a platter to everybody and said go do it. I think I am mad… I am like if I don’t want to do a film I will not do it. I would sit at home and enjoy, party and travel.” India.com
Bold, unapologetic, and completely Bebo. Here’s the full list of films she passed on — and the stars who turned those roles into career-defining moments
Table of Contents
All 10 Bollywood Films
| # | Film | Year | Who Got the Role | Why Kareena Said No |
|---|---|---|---|---|
| 1 | Kaho Naa… Pyaar Hai | 2000 | Ameesha Patel | Creative differences with direction |
| 2 | Hum Dil De Chuke Sanam | 1999 | Aishwarya Rai | Turned down SLB’s offer |
| 3 | Kal Ho Naa Ho | 2003 | Preity Zinta | Remuneration issues |
| 4 | Black | 2005 | Rani Mukerji | Confused about the story |
| 5 | Page 3 | 2005 | Konkona Sen Sharma | Reportedly declined |
| 6 | Fashion | 2008 | Priyanka Chopra Jonas | Passed on Madhur Bhandarkar’s offer |
| 7 | Queen | 2014 | Kangana Ranaut | Didn’t find the role suitable |
| 8 | Ram-Leela | 2013 | Deepika Padukone | Walked out 10 days before shoot |
| 9 | Chennai Express | 2013 | Deepika Padukone | Date issues |
| 10 | Dil Dhadakne Do | 2015 | Priyanka Chopra Jonas | Didn’t want months away from home |
The Stories Behind the Nos

Kaho Naa… Pyaar Hai (2000): Kareena was reportedly Rakesh Roshan’s first choice to debut alongside Hrithik Roshan, but left after a few days of shooting due to creative issues — the role ultimately catapulted Ameesha Patel and made Hrithik a superstar overnight. Masala
Hum Dil De Chuke Sanam (1999): Kareena turned down Sanjay Leela Bhansali’s romantic epic, and Aishwarya Rai stepped in to deliver what became one of her most beloved performances. MenaFN

Kal Ho Naa Ho (2003): Kareena was approached for the role that became Naina, but turned it down reportedly due to remuneration issues — she reportedly asked for the same fee as Shah Rukh Khan. pinkvilla Preity Zinta stepped in and delivered an unforgettable performance in one of Bollywood’s most emotional films.
Black (2005): Kareena refused Bhansali’s Black, reportedly confused about the story. Rani Mukerji took the role and delivered a performance so powerful that Black was named one of Time magazine’s Top 10 films of the year. MenaFN
Queen (2014): Kareena didn’t like the story and felt it might affect her career. Kangana Ranaut took the role, won the National Award for Best Actress, and the film earned ₹95 crore — becoming a cult classic. Asianet Newsable

Ram-Leela (2013): Kareena had been cast as Leela opposite Ranveer Singh but walked out just days before filming began. Deepika Padukone stepped in and the film became a massive career milestone for her. Masala
Chennai Express (2013): Kareena was offered Rohit Shetty’s blockbuster but could not take it up due to date issues — Deepika Padukone starred opposite Shah Rukh Khan and the film became a runaway hit. Bollywood Life
Dil Dhadakne Do (2015): Zoya Akhtar’s original choice, Kareena reportedly passed because the film required actors to stay away from home for three months — Priyanka Chopra Jonas took the role and received widespread acclaim. Cinetales
For more context on Kareena Kapoor Khan’s illustrious career, visit the Wikipedia page on Kareena Kapoor Khan.
For more Bollywood throwbacks, celebrity news, and film industry stories, head to TechnoSports — and don’t miss our biggest Bollywood career decisions feature for more fascinating industry stories.
❓ FAQs
Q: Which film’s rejection does Kareena Kapoor Khan regret the most? While Kareena has publicly acknowledged turning down Queen and Ram-Leela, she has maintained she has no regrets — saying she would only do films she truly believed in.
Q: How many of Kareena Kapoor Khan’s rejected films won National Awards? At least two — Queen (Kangana Ranaut won Best Actress) and Black (Sanjay Leela Bhansali won Best Director) — both became National Award-winning films after Kareena passed on them.





