Netflix’s film BRO’s official trailer released: Here’s every detail you need to know. When a picture banks heavily on a star’s hits from the past, referencing songs and duologues from his blockbusters but fails to have fresh standout moments, it can end up as a colossal misfire.
The Telugu flick Bro – the Avatar, starring uncle-nephew duo Pawan Kalyan besides Sai Dharam Tej, is one such case. Director Samuthirakani, who had written and fixed the Tamil original Vinodhaya Sitham, reworks the plot to suit Pawan Kalyan’s in addition to Sai Dharam Tej’s personas with the help of Trivikram Srinivas’ screenplay and dialogues. Yet, Bro Trimmings up as a film that occasionally brings in some cheer but otherwise vanishes into a boring soap opera, despite a well-intended story.
Netflix’s film BRO official trailer released: Here’s every detail you need to know
The central plot isn’t evil at all; it’s relevant and spells out the widespread truth that none of us are indispensable; our home and workplace will acclimate and move on, irrespective of us. The story can work like one that makes the viewer take back a few teachings in humility.
Samuthirakani and Trivikram Srinivas fittingly call the central character Markandeyulu (Sai Dharam Tej). Mark, through his colleagues and friends referring to him, thinks he is presenting the best version of himself to his personal and colleagues and that he knows the best. ‘I partake no time’ is his constant refrain.
Bro explores the options when Mark’s life is brutally cut short, and time presents itself in an exaggerated avatar of Pawan Kalyan, who is named, Hold your breath, Titan! Mark bides for time to accomplish his responsibilities. Titan, whom Mark addresses as a ‘bro,’ arranges with Mark.
The introduction arrangement of ‘time’ aka Titan references the ‘power’ in the ‘influence star’ label. He is also presented as a metaphor for a porter who transports people between diverse worlds, dressed like in the ‘Vayyari Bhama’ song from Thammudu. The entertaining has just begun, so we don’t mind it. Soon, there are references to Tholi Prema, Khushi, Jalsa, Bheemla Nayak… All this would have been more fun had Bro come up with its share of innovative moments that can stand the test of time and serve as pop culture positions in the years to come.
Among the songs that drama at regular intervals, the most fun and foot-tapping are the brief sections from Jalsa and Bheemla Nayak, not the new compositions. So it is with the dialogues by way of well. Brahmanandam (in a cameo) and Pawan Kalyan have a fun face-off. The duo has bubbled in better-written comic stretches in the past; here, the writing does not have the zing. It does not once raise above fan service, referencing old dialogues besides the star’s political career.
Much of the first hour is expended, showing how Mark reassesses his perceptions of people at home besides at work. The sub-plots featuring the siblings are predictable, and the office politics, too, do not hold countless surprises. Priya Prakash Varrier, Raja Chembolu, Tanikella Bharani, and Ketika Sharma (Mark’s girlfriend) get a few minutes to make their company felt. Vennela Kishore is underutilized too.
The one backup character who gets to make an impact is Rohini. For a large portion, her part is like that of a stereotypical screen mother, and the story conveniently relegates her to the background. When she is carried back, she springs a welcome surprise. This portion and the final part, where Mark looks at life afresh and has a heart-to-heart conversation with Titan, are the only noteworthy portions of the Netflix film.
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