Harshvardhan Rane and Sonam Bajwa’s romantic drama “Ek Deewane Ki Deewaniyat” is making waves at the box office before its release! The film has already sold 5,000 tickets in top national chains despite limited showcasing, signaling strong audience interest during the crucial pre-Diwali period. With an expected opening of Rs 7-10 crore net, this tragic romance is positioning itself for a superb debut. Here’s everything you need to know about the film’s impressive box office momentum.
Table of Contents
Ek Deewane Ki Deewaniyat Box Office Performance
Metric | Details |
---|---|
Lead Stars | Harshvardhan Rane & Sonam Bajwa |
Genre | Tragic Romantic Drama |
Director | Milan Milap Zaveri |
Advance Tickets (National Chains) | 5,000+ Sold |
Theater Coverage | Limited National Showcasing |
Expected Opening | Rs 7-10 Crore (Net) |
Box Office Clash | Against Thamma (Ayushmann Khurrana) |
Release Period | Pre-Diwali 2025 |
Strong Start Despite Limited Showcasing
What’s genuinely impressive about “Ek Deewane Ki Deewaniyat’s” box office performance is the achievement despite minimal national chain coverage. The film sold 5,000 tickets in PVR Inox and Cinepolis by 7 PM on October 18—a solid foundation for a film with restricted theatrical presence. This suggests organic audience interest rather than forced booking capacity.

The movie is expected to clock approximately 25,000 to 30,000 tickets in top national chains by release day, unless a significant Monday surge materializes. These numbers indicate healthy pre-release momentum that could translate to strong opening day performance.
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Resonating in Key Markets
The film is reportedly buzzing strongly in circles where surprise blockbusters “Sanam Teri Kasam” (re-release) and “Saiyaara” scored heavily during their releases. This indicates the tragic romantic drama genre has proven appeal among specific audience demographics that champion emotional, character-driven narratives.
In non-national chains, “Ek Deewane Ki Deewaniyat” is performing even better, with some smaller centers showing superior sales compared to its competing release, “Thamma.” This performance in secondary and tertiary markets is particularly encouraging, as it suggests the film appeals to audiences beyond major metropolitan areas.
Understanding the Pre-Diwali Factor
The pre-Diwali period presents unique box office dynamics. Smaller center films typically experience reduced footfall as audiences prepare for festivities. However, “Ek Deewane Ki Deewaniyat’s” strong showing in these challenging conditions demonstrates genuine audience demand that transcends seasonal headwinds.
Director Milan Milap Zaveri has crafted a film positioned specifically for this market segment, and the advance booking trends validate that strategic positioning.
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The Box Office Clash with Thamma
“Ek Deewane Ki Deewaniyat” faces competition from Ayushmann Khurrana and Rashmika Mandanna’s “Thamma,” which has sold 15,000 advance tickets—significantly more. However, industry analysts note that Diwali’s festive period accommodates multiple successful releases. The two films target different audience demographics: “Thamma” appeals to mainstream, larger-center audiences, while “Ek Deewane Ki Deewaniyat” resonates in emotional drama circles.
This positioning allows both films to coexist and deliver satisfying weekend performances simultaneously.
Opening Day Projections
Per Pinkvilla’s box office predictions, “Ek Deewane Ki Deewaniyat” is expected to open in the vicinity of Rs 7-10 crore net—an excellent start for a Harshvardhan Rane film. This projection reflects genuine advance booking momentum combined with expected spot-booking contributions and word-of-mouth impact on release day.
However, opening day figures will heavily depend on initial viewer reception and word-of-mouth quality. If the film delivers emotionally on its tragic romance premise, it could see an instant boost in sales throughout the day.
What This Means for the Film’s Weekend
A Rs 7-10 crore opening positions “Ek Deewane Ki Deewaniyat” for a competitive weekend run. Combined with favorable pre-Diwali festive sentiment and strong regional appeal, the film has potential for a solid three-day collection that could set positive momentum for extended theatrical life.
Key Takeaways
- “Ek Deewane Ki Deewaniyat” sold 5,000 advance tickets despite limited national chains
- Expected opening of Rs 7-10 crore net indicates superb start for the film
- Strong performance in secondary/tertiary markets shows genuine audience appeal
- Pre-Diwali period provides challenging but manageable theatrical environment
- Film faces competition from “Thamma” but targets different demographics
- Opening day performance depends on word-of-mouth and initial viewer reception
FAQs
Q1: What makes “Ek Deewane Ki Deewaniyat” different from its competitor “Thamma”?
A: “Ek Deewane Ki Deewaniyat,” directed by Milan Milap Zaveri and starring Harshvardhan Rane and Sonam Bajwa, is positioned as a tragic romantic drama targeting emotional narrative enthusiasts. It performs exceptionally well in secondary and tertiary markets while resonating strongly in circles that previously championed films like “Sanam Teri Kasam” and “Saiyaara.” Conversely, “Thamma” (featuring Ayushmann Khurrana and Rashmika Mandanna) targets mainstream, larger metropolitan audiences. The films serve different audience preferences, allowing both to succeed simultaneously during Diwali season despite their release date clash.
Q2: Why is the pre-Diwali period challenging for theatrical releases?
A: Pre-Diwali typically brings reduced footfall as audiences prepare for festive celebrations, family gatherings, and shopping. This particularly affects smaller center films. However, “Ek Deewane Ki Deewaniyat’s” strong pre-release booking despite these seasonal headwinds demonstrates the film has overcome typical pre-Diwali challenges. The festive period, while challenging, also brings concentrated family viewing opportunities for quality content that resonates emotionally, which works in favor of character-driven dramatic films positioned correctly for specific audience segments.