BLACKPINK‘s Lisa has officially made her Netflix debut in the highly anticipated music reality series “Hitmakers,” which premiered globally on July 24, 2025. However, fans were surprised when the K-pop superstar appeared only in the finale episode—and rejected most of the songs created specifically for her.
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BLACKPINK Lisa’s Strategic Song Selection Process
The six-part series brings together 12 successful songwriters and producers from around the world, all tasked with creating hit tracks for iconic artists including John Legend, Shaboozey, and Lisa. But Lisa’s approach to the competition proved she’s as selective about her music as she is talented.
The Challenge Requirements
When Lisa finally appeared in Episode 6, she laid out specific criteria for her ideal track:
- Catchy and upbeat tempo for performance purposes
- Dance-friendly rhythm to showcase her choreography skills
- Rap verse inclusion reflecting her love for hip-hop
- High energy and vibe matching her artistic persona
The Song Battle: Three Tracks, One Winner
| Song Title | Producer Team | Lisa’s Decision | Reason |
|---|---|---|---|
| Eleven | Team A | ✅ SELECTED | Perfect energy, needs chorus refinement |
| Back in Business | Team B | ❌ Rejected | Unspecified reasons |
| HOT | Team C | ❌ Rejected | Unspecified reasons |
Despite the songs being presented in their unfinished form, Lisa turned down “Back in Business” and “HOT,” but saw promise in “Eleven”. Her professional feedback highlighted that while she loved the track’s energy, the chorus needed tweaking to be even catchier.
What Makes “Eleven” Special?
Lisa’s choice of “Eleven” wasn’t just about the beat—it represents her evolved artistic vision. The track aligns perfectly with her post-BLACKPINK solo career trajectory, combining her signature style with fresh elements that showcase her growth as an individual artist.
Industry insiders suggest that Lisa is seriously considering recording “Eleven” once the hook is polished, which could mark a significant milestone in her solo discography.
For more insights into K-pop solo careers and artist evolution, check out our comprehensive K-pop industry analysis section.
The Netflix Strategy: Building Anticipation
Lisa’s limited screen time in “Hitmakers” proved to be a masterstroke in building viewer engagement. Her brief but enthusiastic appearance quickly went viral online, with fans eager to hear what the talented participants would deliver.
This strategic positioning demonstrates how established artists can leverage reality TV appearances to maintain relevance while exploring new creative directions. Learn more about entertainment marketing strategies in our digital media coverage.
Impact on Lisa’s Solo Career
The “Hitmakers” appearance comes at a crucial time for Lisa’s solo endeavors. Following her successful ventures in acting and music, this Netflix debut reinforces her position as a global entertainment figure beyond the K-pop sphere.
Her selective approach to song choice also signals artistic maturity—she’s not just looking for any hit, but tracks that authentically represent her evolved sound and performance style.
Stay updated on Lisa’s latest projects and BLACKPINK developments through our entertainment news hub.
For the latest updates on K-pop stars and entertainment industry news, explore our comprehensive celebrity coverage section.
Frequently Asked Questions
Q: Will Lisa actually record and release “Eleven” as an official song?
A: While Lisa expressed serious interest in recording “Eleven” after the chorus is refined, no official confirmation of a release date has been announced. The track would need additional production work before becoming a complete song suitable for commercial release.
Q: Why did Lisa only appear in the final episode of Hitmakers?
A: Netflix strategically positioned Lisa’s appearance in Episode 6 as the climactic reveal, building anticipation throughout the series. This approach maximized viewer engagement and created viral moments, as evidenced by the immediate online buzz following her brief appearance in promotional clips.
