# 2010s K-Pop Never Left — These 6 New Tracks Prove It

URL: https://technosports.co.in/2010s-k-pop-never-left-these-6-new-tracks-prove-it/  
Published: 2026-08-29  
Updated: 2026-08-29  
Author: Reetam Bodhak

Nostalgia has a sound, and right now that sound is EDM drops, thick autotune slides, and choruses built for a crowded dance floor. A wave of new K-pop releases is deliberately channeling that 2010s party energy — and whether it’s new to you or a blast from the past, these six tracks are impossible not to move to.

## The 2010s Party Sound Is Back

What defines this throwback wave? Heavy autotune, EDM-pop collisions, and simple, chantable hooks built for group singalongs rather than complex vocal runs. It’s a sound [BigBang](https://en.wikipedia.org/wiki/BigBang_(South_Korean_band)) — dubbed the “Kings of K-pop” — helped define over a decade ago, and its influence is now showing up across a new generation of releases.

## The 6 Tracks, Elaborated

[Video](https://www.youtube.com/embed/UsbRoaH6y-Q?feature=oembed)

**1. KiiiKiii – “Pop Off Pop Off”** — A collision of EDM and understated, heavily auto-tuned vocals that practically demands a playlist spot. The retro-styled visuals in the music video lean fully into the throwback aesthetic, matching the track’s instant mood-lifting energy.

**2. BIGBANG – “Biiig”** — The genre’s original architects return with a surprisingly laid-back groove. The bass under the chorus does the heavy lifting, and the smooth, simple vocal lines are the kind that lodge themselves in your head after a single listen.

[Video](https://www.youtube.com/embed/naoGk-Zjc1s?feature=oembed)

**3. BABYMONSTER – “SUGAR HONEY ICE TEA”** — Opens with a classic autotune slide straight out of the 2010s playbook. Deceptively simple through most of its runtime, it saves its biggest moment for a party remix finale that closes the track with real punch.

**4. SEVENTEEN’s V8 – “singasong”** — A genre-blending mix of 2010s party sound and old-school video game soundtrack energy. Vernon’s bouncy, bass-heavy rap plays against a lighter melody, keeping the track dynamic rather than repetitive — the kind of song that would’ve torn up a house party in 2012.

[Video](https://www.youtube.com/embed/a2grcJdfXmY?feature=oembed)

**5. LE SSERAFIM – “CELEBRATION”** — Balances a heavy EDM backing with light, airy vocals so the track never feels overwhelming. The chorus is unmistakably club-coded, built to appeal equally to longtime 2010s fans and newer listeners.

**6. CORTIS – “REDRED”** — A striking debut comeback that nails the peak 2010s party formula right out of the gate. Stylized, autotune-forward vocals pair with mesmerizing choreography, delivering something that feels both nostalgic and genuinely fresh.

| Artist | Track | Signature Element |
| --- | --- | --- |
| KiiiKiii | Pop Off Pop Off | EDM + autotune vocals |
| BIGBANG | Biiig | Laid-back bass groove |
| BABYMONSTER | Sugar Honey Ice Tea | Autotune slide intro, party remix outro |
| SEVENTEEN’s V8 | singasong | Video game-inspired bounce |
| LE SSERAFIM | CELEBRATION | Light vocals over heavy EDM |
| CORTIS | REDRED | Autotune-heavy debut earworm |

For more K-pop release roundups and playlist picks, check out the entertainment coverage on [TechnoSports](https://technosports.co.in/).

### FAQs

### **Why are so many new K-pop songs sounding like 2010s tracks right now?**

A wave of comebacks is deliberately reviving EDM-pop and heavy autotune sounds that defined the genre’s earlier era, driven partly by artists like BIGBANG who originated that style.

### **Which song on this list is best for someone new to the 2010s K-pop sound?**

CORTIS’s “REDRED” is a strong entry point — it captures the classic formula in a single debut track.